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The very scarce Fuck Forever poster was first printed for an exhibition of Jamie's work in 1986 at Hamilton's Gallery,
13 Carlos Place, London W1.

On the back is artwork and text in black & white by Jon Savage & Jon Wozencroft, with illustrating about Jamie's work and his influences.

The original artwork was made in 1978 as a prop for 'The Great Rock'n'Roll Swindle'.

£1100.00 special conservation framed, both sides viewable.

Fantastic condition, a rare unused 'dead stock' example with the flourescent colours surviving in excellent state.

Scarce original Spanish film poster with different artwork to the English language versions. Design is by Macario Gomez with his distinctive signature 'MAC' bottom right. He was responsible for some of Spain's best film posters.

Original Virgin promo poster.
28"x39"

The shots of the crowd were taken from a video of the April 1977 Screen On The Green gig.

Original Virgin promo poster.
30"x40"

Without doubt the single most memorable image to come from the Punk era. It's worth restating that what the media saw at the time as an incomprehensible and thuggish youth 'problem' was the vehicle through which Jamie Reid and Malcolm MacLaren produced the boldest and most coherent series of graphic statements ever seen in popular music.

Original withdrawn Virgin promo poster.
27.5"x39.5"

Hastily withdrawn after an unsurprising furore from American Express, this wonderful poster was intended to promote the single 'The Great Rock'n'Roll Swindle', whose sleeve would also feature the design.

Wonderful Debbie Harry portrait from Blondie's appearance on BBC TV's Top Of The Pops 1979 Christmas/New Year Special, on which they performed 'Dreaming'.

Detailed credit stamp on verso.

Probably the most famous draftee in history, Presley's stint lasted from 24 March 1958 to March 5, 1960. This shot is from the 2 March 1960 New Jersey press conference the day after he left the army in Germany. Later in April began the timely filming of 'GI Blues'. The King was back.

Superb live photo of Zeppelin at their peak, in concert at the New Orleans Municipal Auditorium on 1st March 1975, on the American tour accompanying the release of 'Physical Graffiti'.
Photographer's stamp and date on verso.

Rare original poster for the band's debut single and album.
Sleeve design by Bill Smith, photography by Martyn Goddard.

The mother of all 'mockumentaries', and one of the funniest films ever made. The original British quad is the best poster on the film and is hard to come by.

Original Virgin promo poster.
28"x39"

Jamie originally created the 'boredom' buses in 1973 for San Francisco situationists Point Blank, re-using them most famously for the 'Pretty Vacant' campaign, the Pistols' 3rd single.

Original British quad poster, unfolded.
30"x40"

The magnum opus of Malcolm McLaren's re-invention of the band's history (in his favour) that began almost the moment it ceased to exist. It took 20 years for 'The Filth And The Fury' to set the record straight. A proposed Jamie Reid design was ditched in favour of the final (aptly) 'Carry On..'-style artwork.

Original Virgin promo poster.
27.5"x39"

'Holidays in the Sun' was the band's 4th single and the last to be released whilst the group were still together. The beach image (with the lyrics added on) was taken from the Reid/Christopher Gray 1974 Situationist anthology 'Leaving The 20th Century'.

In the first deal of it's kind, Rockbill Int'l brought together the Stones and fragrance company Jovan in a multi-million dollar tour sponsorship, with their logo printed on concert tickets and posters.

Classic Stones artwork in the style of John Pasche (designer of the 'lips' and other 70's acid-deco posters for the band). NB. This is the original correct size printing; there are numerous copies.

Bowie's last unequivocally great album, marking the closing of the Berlin chapter and before 1983's massively commercial
'Let's Dance'.

The photography was by Brian Duffy (designer of the 'Aladdin Sane' sleeve), the artwork Edward Bell.

Changestwobowie, the follow-up to 1976's very successful Changesonebowie, was released in the final months of his contract with RCA without consultion with Bowie. The cover shot shows Bowie's contrasting eyes (the result of a teenage injury to his left eye in a fight) extremely clearly.

Moody Blue was the last album released during Elvis's lifetime, the title song his last No.1. He refused to enter the recording studio. so RCA brought a mobile recording studio to Graceland where the bulk of the tracks were recorded..